Thursday, 13 March 2014

Evaluation.

As I said in a previous Blog post. I was interested in documenting how nature was slowly taking back man-made objects and buildings, left in it's path.

I have grown up in the North East all of my life so I am pretty aware of where old work sites are. As a child, my Mother and Father took me to these amazing places where there would be old machinery discarded as surplus to requirement. These items to me would help build the settings for my adventure.
Because of the era I was born in my outlook has always been the same concerning these places.

When my family first moved up to the north it was to work the Iron Stone Mines. This was one of our largest industries around this area. My ancestors would see these landscapes as their places of work and would probably hate the sight of it everyday.
I find the juxtaposition of these two era’s amazing because so much has changed in as little as Five generations of my family tree.

I decided to concentrate on one site in particular. My reason for this was because the buildings are still partially intact, making it easier for me to put my point across through my images.
My focus was not so much the buildings being broken but more how it came to be in its current state.


You can clearly see from the above image, how the Tree over time has forced its self through the Roof of the building. Tearing the rest of the structure down with it. I wanted to adopt Don McCullin's approach to narrative and get into the depths of the story. Getting into the still standing buildings was my idea of showing this.


Getting up close and personal to the subject as McCullin does, helps you feel the pain and stress it is going through.

My final outcome for this project has satisfied the requirements of the brief because it clearly shows a story of what’s is happening around us.

To improve my current project I will frequently visit this same site and build upon what images I have already collected. this is something that could possibly go on for the rest of my career and there after. To complete this assignment firstly I needed to understand what I wanted my narrative to be about. the whole idea of ‘Reclaim’ is something I have been wanting to look at for some time now so this was a perfect opportunity to do it.

My main problem in this assignment were actually accessing the site because it is on private land. it took me a while to get in touch with the necessary parties but more than worth the battle

One thing I was criticised about on a group critique was my distance from the subjects. Although I took this on board and returned to take more pictures. I didn’t feel the close up images showed the extent of the destruction.

This assignment challenged me in more ways than one:

Firstly, The process of getting in touch with the land owners and persuading them into letting me gain access was a task in it’s self.

Secondly, I’ve never been tasked with fitting a narrative to a collection of photographs.


On reflection of the whole assignment, I’d very much like to take my influence from Martin Parr and take a lot more picture of the place, maybe to even make up lots of smaller narratives within the bigger picture.

Wednesday, 12 March 2014

Martin Parr



Martin Parr A Photographer that was heavily criticised for his subjects and style of photography. He was frowned upon for taking pictures of people that were deemed less fortunate thank him.

To me, I feel he's just showing parts of life that strike him as amazing or annoying. Take for example, his picture of the person eating a Bacon sandwich. He says even the Queen has the same issue as us. That we don't want the fat in our mouth and we try to work our way around it at all costs.


https://www.prospectmagazine.co.uk/blog/a-spotters-guide-to-martin-parr/


Maybe it's just the viewer taking offence to the images before trying to find out Parr's real reason for the image.

He takes lots of Images and uses a 'Ring Flash' this is almost like having a mini studio strapped to his Camera and is fantastic for close up shots.

http://www.art-days.com/martin-parr-1952/

http://www.photoforager.com/archives/martin-parr/martin-parr

Part One - My Single Image.




So here's my single narrative image.
When I showed this image in a group critique, the reactions were quite mixed. Most were expecting something a little tongue in cheek from me already but this isn't the way I intended this image to be portrayed. Not totally anyway.




I chose to create this image to point out cultural differences. By showing this to a group of people in the UK, the obvious narrative would be sexual to some degree. One thing that was brought up in the critique was possibly the photographers sexual tension being shown.

Now lets look at this on the other side of things. If I were to take this image to a third world country. Would they see this as sexual image or would they see this as a piece of Fruit. More of an object of desire.

  

Don McCullin




Don McCullin's work isn't for the fain hearted. He's a Photographer that gets right in on the action.
He doesn't want you to feel as if you were looking at them. He wants you to be there with the people in the Photograph. He wants you to to feel their fear, their hunger and desperation.

http://www.wemadethis.co.uk/blog/2012/01/shaped-by-war/

http://www.wemadethis.co.uk/blog/2012/01/shaped-by-war/


Not only did he photograph the soldiers in the war, he also visited the side of the people who are really suffering from the Wars. The public. These pictures were especially strong. It wasn't until the point that he visited this side of War, that it actually hit him hard.

http://www.pixelpress.org/afterphotography/?p=485